Helene Grimaud's "For Clara" focuses not only on the pianist’s own relationship with the music of both Robert Schumann and his protégé Brahms, but also on that which bound both men to pianist-composer Clara Schumann (née Wieck). 🎧 Listen now to the first pre-release track: dgt.link/Grimaud-ForClara | Deutsche Grammophon - DG

A moment of Brahms' Lieder und Gesänge Op. 32 no. 7 'Bitteres zu sagan denkst du' with Bariton Konstantin Krimmel Watch the entire video on YouTube at the link in bio 📸: Deutsche Grammophon - DG | Helene Grimaud

Music has been described as a means of rescuing that which is lost – a simple yet persuasive idea and one which informs Helene Grimaud's working definition of the art form. Enjoy an interview with the pianist and discover her new album: https://DG.lnk.to/grimaud-memory | Deutsche Grammophon - DG

HÉLÈNE ET LES LOUPS. Enfant asociale, victime de troubles obsessionnels compulsifs (TOC), Thierry Ardisson brosse le portrait de la pianiste prodige Hélène Grimaud en 2001. Le piano ? Un vrai don dont elle parle comme un poids. Petite, elle n’aimait pas les enfants de son âge et la rencontre avec le piano l’a sauvée. Elle raconte également sa passion pour les loups et leur comportement. | INA